Two Grooms & A Thousand Lights

Concept and palette were locked two weeks out: modern classic in navy and warm white, built around navy, warm white, brass. Florals — white anemones, navy privet berry, brass-vase orchids — were prepared in our studio the day before.

Two simultaneous entrances needed two perfect aisles that met at one arch — the room had to be symmetrical to the centimetre.

They walked toward each other under a thousand lights, and the room held its breath exactly as designed.